There was some good advice from Daniel James in this thread regarding keeping the rights to your music etc.: Googling "behavioral economics" might turn up some useful talks. It's worth looking into basic salesman strategy stuff like "anchoring" etc. If someone sees 100,- quoted for something, they might think "well that's a made up number", if you make it 199,- they'll think "don't bullshit me, I know that trick", and if you make it 270,- I would hope that more people just accept it without questioning it as "that's exactly what it costs".
And I would advise against such round numbers because they couldn't look more arbitrary. You don't want to quote any prices on your page, especially not some that are this low. The pricing model you had on your site is bad for you. Sugarbytes Cyclop, Arturia V Collection, Ivory II, EWQL Symphonic Orchestra Platinum Plus, EWQL VOP, EWQL Symphonic Choirs, Komplete 9, AEON, Evolve, Evolve Damage, Evolve Mutations, Alicia's Keys, MOTU Ethno-Instrument, Addictive Drums, Yellow Tools Candy, Garritan JABB3, GPO4, Vir2 Electri6ity, Omnisphere, Stylus, Reason 6.5, Sony Soundforge 10, Miroslav Philharmonic & Choir, Waves Gold bundle, Maserati Bundle, Vocal Rider, Melodyne Editor, Sibelius.Click to expand.To quickly sum up a few things: Studio One Pro 2.6.2 Pro Tools 8.0.5 Cubase 7 Otherwise you're looking at a mess in your score.Ī book I'd recommend is the Gilreath book on Midi Orchestration.Ĭreation Station 400 Sweetwater Intel i7 Sandy Bridge 3.4 GHzį: \ : 1 TB WD Caviar Black 7200 rpm SATA Libraries You're going to need to quantize a copy of it so that notes come out at the right point in the in the score. Use the solo french horn.Īlso if you're using a score editor and scoring. You'll end up with 6 french horns on each note.
Another thing is if you're using chords, make sure you don't select "section" for the chords because the entire section will play each note. I also use a different individual trumpet for each part and play then individually so they're not going to sound at the same time anyway. It's just too hard wrapping my head around 20 parts at once otherwise. I'm usually midi composing with my mouse putting down the notes first and worrying about the attack and dynamics later. He hasn't heard my sloppy piano technique :runs:
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